Visual has become the language of modern-day humans, encompassing forms, objects, and colors. In art, visual serves as the oldest medium for conveying messages, with no limitations in its interpretation.
"Transcendence" is Mahavisual's responsive artwork, reflecting on the grandeur of the Galeri Annex space. Beyond its physicality, the aspiration for this space is to evoke various beautiful actions and expressions, capable of transcending the limitations of possibility.
The diversity of colors within this gallery, with dimensions of 8 meters in height, 20 meters in length, and 9 meters in width, represents the boundless dynamics of the art world. It symbolizes the essence of Taman Ismail Marzuki as a creative ecosystem and Jakarta's public artistic heritage from the past to the present.
The poetry and speeches incorporated into this artwork are sourced from the archives of the Jakarta Arts Council, curated by Farah Wardhani. The application of text is done in a "tagging" style, influenced by Mahavisual's affinity for the evolution of graffiti and street art in Indonesia.
"Transcendence" is Mahavisual's responsive artwork, reflecting on the grandeur of the Galeri Annex space. Beyond its physicality, the aspiration for this space is to evoke various beautiful actions and expressions, capable of transcending the limitations of possibility.
The diversity of colors within this gallery, with dimensions of 8 meters in height, 20 meters in length, and 9 meters in width, represents the boundless dynamics of the art world. It symbolizes the essence of Taman Ismail Marzuki as a creative ecosystem and Jakarta's public artistic heritage from the past to the present.
The poetry and speeches incorporated into this artwork are sourced from the archives of the Jakarta Arts Council, curated by Farah Wardhani. The application of text is done in a "tagging" style, influenced by Mahavisual's affinity for the evolution of graffiti and street art in Indonesia.
